24 Hour Party People (2002)
Michael Winterbottom and Steve Coogan’s truth-tickling hit a high note with this joyful sorta-biopic of the record label boss and broadcaster Tony Wilson. Playful, ingenious and prodigiously informative, it’s a triumph of vision over verite. It’s also a total blast.
4 Months, 3 Weeks and 2 Days (2007)
The film whose Palme d’Or win heralded the arrival of a new wave of Romanian cinema. A young woman, helped by her friend, arranges an illegal abortion in the late 80s; the squalid events that follow parallel the decay and chaos of the country as the communist dictatorship began to collapse. Harrowing but clear-sighted
Arguably Penélope Cruz’s finest performance, in one of Pedro Almodóvar’s key films: a heady stew of murder, family strife and supernatural shenanigans. Cruz plays a woman forced to kill and bury her ex-husband, while her dead mother appears to be haunting her hairdresser sister. All is resolved after various traumas are lanced
The Handmaiden (2016)
The Handmaiden is one of cinema’s great literary adaptations: Park Chan-wook transposes Sarah Waters’s crime novel Fingersmith from Victorian London to Korea in the 1930s. In this most twisted of love stories, a pickpocket (Kim Tae-ri) poses as maid to a wealthy heiress (Kim Min-hee). But who is the double-crosser? Depending on your tastes, a candidate for sexiest film of the century
The Wolf of Wall Street (2013)
Possibly the most fun anyone’s had at the cinema so far this century, Martin Scorsese’s The Wolf of Wall Street ought to be a cautionary tale. It’s based on the autobiography of crooked stockbroker Jordan Belfort, convicted in 1999 for fraud and money-laundering. But why focus on regret, when there are hookers, drugs and fast cars? Leonardo DiCaprio is outrageously entertaining as Belfort
Once Upon a Time in Anatolia (2011)
Here’s a police procedural with a difference by the Turkish director Nuri Bilge Ceylan – the whodunnit and why playing second fiddle to long stretches of silence. It’s set in rural Turkey where officials are spending the night driving a murder suspect around looking for a body. What they find, however, is mostly existential despair. Not exactly easy viewing, but it’s a masterpiece of slow cinema
Far From Heaven (2002)
From director Todd Haynes, this is pastiche at its most brilliantly acute. Haynes takes the bold, vivid melodrama beloved of Douglas Sirk, and reconfigures it to fully reveal the social faultlines of race, sex and class that were considerably more latent in the original. A beautifully crafted act of ancestor worship
Follow me for article and share to your love ones.
Content created and supplied by: AbrahamBe (via Opera News )
Opera News is a free to use platform and the views and opinions expressed herein are solely those of the author and do not represent, reflect or express the views of Opera News. Any/all written content and images displayed are provided by the blogger/author, appear herein as submitted by the blogger/author and are unedited by Opera News. Opera News does not consent to nor does it condone the posting of any content that violates the rights (including the copyrights) of any third party, nor content that may malign, inter alia, any religion, ethnic group, organization, gender, company, or individual. Opera News furthermore does not condone the use of our platform for the purposes encouraging/endorsing hate speech, violation of human rights and/or utterances of a defamatory nature. If the content contained herein violates any of your rights, including those of copyright, and/or violates any the above mentioned factors, you are requested to immediately notify us using via the following email address operanews-external(at)opera.com and/or report the article using the available reporting functionality built into our Platform See More