This will turn the document completely white, or at least mostly white (you may see a few scattered areas of black depending on your image):
Color Dodge turns the document temporarily white. " height="495" width="455"/>Changing the blend mode to Color Dodge turns the document temporarily white.
Step 6: Convert The Layer Into A Smart Object
In a moment, we're going to create the main part of our sketch effect by blurring the layer using Photoshop's Gaussian Blur filter. But rather than applying it as a normal filter, let's apply Gaussian Blur as a Smart Filter.
What's a Smart Filter, and how is it different from a normal filter? Well, Smart Filters are just like normal filters in Photoshop, only smarter! What makes them "smarter" is that while normal filters produce static results (that is, they make permanent changes to the pixels on a layer), Smart Filters are non-destructive and remain fully editable. They allow us to easily go back at any time and make changes to the filter's settings without any loss of image quality. By applying Gaussian Blur as a Smart Filter, we're giving ourselves the option to go back and fine-tune our sketch effect later rather than locking ourselves in with our initial filter settings.
So how do we apply Gaussian Blur as a Smart Filter? For that, we first need to convert the layer to a Smart Object. Why do we need to convert it into a Smart Object? It's because, when a filter is applied to a normal layer, it remains a normal, static filter. But when the exact same filter is applied to a Smart Object, it automatically becomes a Smart Filter!
To convert the layer into a Smart Object, click on the small menu icon in the upper right corner of the Layers panel:
Clicking the Layers panel menu icon.
Then choose Convert to Smart Object from the menu that appears:
Choosing the "Convert to Smart Object" command.
It may not seem like anything has happened, but if we look again in the Layers panel, we now see a small Smart Object icon in the lower right corner of the layer's preview thumbnail. This tells us that the layer is now a Smart Object:
The Smart Object icon in the layer's preview thumbnail.
Step 7: Apply The Gaussian Blur Filter
Now that we've converted the layer into a Smart Object, let's apply the Gaussian Blur filter. Go up to the Filter menu in the Menu Bar along the top of the screen, choose Blur, and then choose Gaussian Blur:
Going to Filter > Blur > Gaussian Blur.
This opens the Gaussian Blur dialog box. To create our main sketch effect, all we need to do is apply some blurring to the layer (the Smart Object). We control the amount of blurring using the Radius slider along the bottom of the dialog box. The further we drag the slider towards the right, the more we increase the radius value and the stronger the blurring will appear.
The effect you achieve will depend on how much blurring you've applied. Lower radius values will create a sketch with fine, thin lines, while larger values will give you a more photo-realistic result. For example, if I choose a fairly low radius value of around 10 pixels:
Starting with a lower radius value.
I end up with this effect here with very fine lines:
The sketch effect using a lower radius value.
If I increase the radius value to something much higher, maybe somewhere around 45 pixels:
Increasing the radius value for a stronger blur effect.
I end up with an effect that looks more like the original photo. The exact radius value you choose will depend both on your image and the type of effect you're going for, so the best thing to do is keep an eye on your image as you drag the Radius slider and judge the results. In my case, even though I like both versions, I think I like this second, more photo-realistic version a bit better, so I'll go with this one. Click OK when you're done to close out of the Gaussian Blur dialog box:
The sketch effect with a larger radius value.
We have our main sketch effect, and we created it using a Gaussian Blur Smart Filter. As I mentioned earlier, Smart Filters remain fully editable, allowing us to easily go back and change the filter's settings later if needed. How do we do that? Well, if we look again in the Layers panel, we now see the Gaussian Blur filter listed as a Smart Filter below the Smart Object we applied it to. If, at any point, you start thinking that your sketch could use a bit more fine-tuning, simply double-click directly on the words "Gaussian Blur" to re-open the Gaussian Blur dialog box and drag the Radius slider as needed:
Double-clicking the Gaussian Blur Smart Filter will re-open its dialog box.
Step 8: Add A Levels Adjustment Layer
We've created our main sketch effect, but depending on how much blurring you applied, you may be finding that your sketch is looking too light. If that's the case, we can easily darken it using a Levels adjustment layer. To add a Levels adjustment layer, click on the New Fill or Adjustment Layer icon at the bottom of the Layers panel:
Clicking the New Fill or Adjustment Layer icon.
Choose Levels from the list that appears:
Choosing a Levels adjustment layer.
Photoshop adds a Levels adjustment layer, names it "Levels 1", and places it above the other layers in the Layers panel:
The Layers panel showing the new Levels adjustment layer.
Step 9: Change The Layer Blend Mode To Multiply
The options and controls for the Levels adjustment layer appear in Photoshop's Properties panel, but there's nothing here that we need to do with them. Instead, to darken the sketch, all we need to do is change the blend mode for the Levels adjustment layer from Normal to Multiply:
Changing the blend mode of the adjustment layer to Multiply.
The Multiply blend mode is one of a group of blend modes in Photoshop that darken the image, and right away, we see that my sketch now appears much darker:
The effect after changing the Levels blend mode to Multiply.
If you find, as I do, that your sketch now appears too dark, you can fine-tune the amount of darkening by adjusting the opacity of the Levels adjustment layer. You'll find the Opacity option directly across from the blend mode option at the top of the Layers panel.
The more you lower the opacity value below its default 100%, the more the layers below the Levels adjustment layer will show through, brightening the sketch back up. I'll lower mine down to around 40%, but keep an eye on your image as you adjust the opacity to find the value that works best:
Lowering the opacity of the Levels adjustment layer.
After lowering the opacity, the overall brightness is now looking better:
Lowering the opacity brought back some of the brightness.
Step 10: Duplicate The Background Layer Again
At this point, we have our main sketch effect, but currently it's in black and white. Let's look at a few different ways to colorize it. We'll start by using the photo's own original colors. For that, we need to make another copy of the Background layer, so click on the Background layer (the original Background layer that's sitting below the other layers) and, just as we've done a couple of times already, drag it down onto the New Layer icon at the bottom of the Layers panel:
Making another copy of the Background layer.
Photoshop makes a copy of the layer, names it "Background copy 3" and places it directly above the original Background layer:
The "Background copy 3" layer appears above the original Background layer.
Step 11: Rename The New Layer
We've created so many copies of our Background layer at this point that our Layers panel is becoming cluttered with them, and they all have names ("Background copy", "Background copy 2", "Background copy 3") that don't tell us anything about what the layer is being used for. Let's break the cycle and rename the layer we just created.
We're going to be using the "Background copy 3" layer to colorize our sketch, so let's give it more descriptive name. To rename a layer, double-click directly on its name to highlight it:
Highlighting the current name by double-clicking on it.
With the name highlighted, type in the new name. Let's name it "Color". Press Enter (Win) / Return (Mac) on your keyboard when you're done to accept the name change:
Changing the layer's name to "Color".
Step 12: Move The "Color" Layer To The Top Of The Layer Stack
To use this layer to colorize the sketch, we need to move it up to the top of the layer stack; in other words, move it above all the other layers. One way to do that would be to click on it and simply drag it up above the other layers, but there's a faster way. To jump a layer directly to the top of the layer stack, first make sure it's selected in the Layers panel. Then, press and hold Shift+Ctrl (Win) / Shift+Command (Mac) on your keyboard and press your right bracket key ( ] ). This will instantly jump the selected layer straight to the top:
The "Color" layer now sits at the top of the layer stack.
Step 13: Change The Blend Mode To "Color"
With the "Color" layer now the top-most layer in the document, your original image will re-appear, blocking the other layers below it from view, which is obviously not what we want. We want to blend the color from the original image in with our sketch. To do that, simply change the blend mode of the "Color" layer from Normal to Color:
Changing the blend mode of the layer to Color.
The Color blend mode tells Photoshop to blend only the color from this layer and ignore everything else, and just like that, the sketch is now colorized:
The sketch colorized with the photo's original colors.
If the color appears too strong, you can reduce it by lowering the opacity of the "Color" layer. I'll lower mine down to 50%:
Lowering the opacity of the "Color" layer.
And now, the color appears more subtle:
The effect after lowering the opacity of the "Color" layer.
Step 14: Turn Off The "Color" Layer
If you like the way your sketch effect looks using the photo's original colors, you can stop here. Otherwise, let's look at a second way to colorize it, this time using a single color. Before we do, let's turn off the "Color" layer by clicking its visibility icon (the "eyeball" icon) in the Layers panel. This will bring back the black and white version of the sketch:
Turning off the "Color" layer by clicking its visibility icon.
Step 15: Add A Solid Color Fill Layer
To colorize the sketch with a single color, we'll use one of Photoshop's Solid Color fill layers. Click once again on the New Fill or Adjustment Layer icon at the bottom of the Layers panel:
Clicking the New Fill or Adjustment Layer icon.
Then choose Solid Color from the top of the list that appears:
Choosing a Solid Color fill layer.
As soon as you select the Solid Color fill layer, Photoshop will pop open the Color Picker, asking you to choose your color. Don't worry about choosing the wrong color here because, as we'll see in a moment, we can easily come back and pick a different one. I'll choose a shade of blue to see what that looks like:
Choosing blue from the Color Picker.
Step 16: Change The Blend Mode To Color
Once you've chosen a color, click OK to close out of the Color Picker. Your document will temporarily be filled with that color, and if you look in the Layers panel, you'll see the new fill layer, named "Color Fill 1", sitting at the top.
To blend the color in with the sketch, simply change the fill layer's blend mode from Normal to Color:
Changing the fill layer's blend mode to Color.
And now, the sketch appears colorized, in my case with blue:
The sketch colorized with blue.
If you want to try a different color, double-click on the fill layer's color swatch in the Layers panel:
Double-clicking the fill layer's color swatch.
This re-opens the Color Picker, allowing you to choose something different. I'll try a pinkish-purple this time:
Choosing a different color from the Color Picker.
I'll click OK to close out of the Color Picker, and now my sketch appears with my new color. You can go back and try as many different colors as you like until you find the one that works best:
The sketch colorized with purple.
To reduce the intensity of the color, simply lower the fill layer's opacity, keeping an eye on the results as you drag the slider:
Lowering the opacity of the fill layer.
Step 17: Turn Off The Fill Layer
Let's look at one more way to colorize the sketch, this time using a gradient. First, turn off the fill layer by clicking on its visibility icon in the Layers panel. This will once again return you to the black and white version of the sketch:
Clicking the fill layer's visibility icon.
Step 18: Add A Gradient Fill Layer
To colorize the sketch with a gradient, we'll use a Gradient fill layer. Click once again on the New Fill or Adjustment Layer icon at the bottom of the Layers panel:
Clicking the New Fill or Adjustment Layer icon.
This time, choose Gradient from the list:
Choosing a Gradient fill layer.
This opens the Gradient Fill dialog box. I covered everything you need to know about drawing and editing gradients in Photoshop in our How To Draw Gradients With The Gradient Tool and How To Use The Gradient Editor tutorials so I won't go into detail here. Instead, let's look at how to quickly select one of Photoshop's preset gradients and how to apply it to our sketch.
To choose a gradient, click on the small arrow to the right of the gradient color swatch at the top of the dialog box. Don't click on the color swatch itself or you'll open the Gradient Editor which is beyond the scope of this tutorial. Make sure you click on the arrow to the right of the color swatch:
Clicking the arrow to the right of the gradient color swatch.
This opens the Gradient Picker, showing us thumbnails of preset gradients we can choose from. To select a gradient, double-click on its thumbnail. This will both select the gradient and close the Gradient picker. For this tutorial, I'll choose the Spectrum gradient (first thumbnail on the left, bottom row):
Selecting the Spectrum gradient.
Back in the Gradient Fill dialog box, I'll change the Angle of the gradient from its default 90° to 135°, which will cause it to run diagonally across the image, creating a bit more interest:
Changing the angle of the gradient.
Click OK to close out of the dialog box when you're done. Your document will temporarily be filled with the gradient:
The gradient temporarily blocks the sketch from view.
Step 19: Change The Blend Mode To Color
If we look in the Layers panel, we see the Gradient fill layer ("Gradient Fill 1") sitting at the top. Just as we've done a couple of times already, to blend the gradient in with the sketch, simply change the blend mode of the Gradient Fill layer from Normal to Color:
Changing the blend mode of the Gradient Fill layer to Color.
Then, adjust the intensity of the colors if needed by lowering the layer's opacity:
Lowering the opacity of the Gradient Fill layer.
Here's what my sketch looks like colorized with the Spectrum gradient:
The final colorized sketch effect.
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